I noticed a few things I forgot in recent posts. Just goes to show what happens when I'm writing without notes.
In the posts about manuscript formatting, the cover sheet info should include the genre and word count.
In the synopsis heading or in the first line of the synopsis, add the genre and word count. I like it in the heading best.
And finally, we live in an international world. If you plan to query in the US and live elsewhere, keep in mind that our letter size paper (8.5 x 11.5 inches) is standard. When I print items that are A4, depending on the format, it prints wacky. I have no idea why a literary agent would print something sent electronically, but if they do...have your ms set to the right paper size.
I've added this info to the posts.
Showing posts with label Manuscript prep. Show all posts
Showing posts with label Manuscript prep. Show all posts
Saturday, November 7, 2009
Thursday, October 29, 2009
Manuscript Formatting
To continue the list I started last week:
These things can be set up to happen automatically:
a) 1" margins all around. Top, Bottom, and both sides;
b) Double space lines;
c) Number pages, either top right or bottom right - you wouldn't believe the number of people who don't number the pages;
d) Header on every page, the order varies, but the header should contain the working title and the author's name (or at least last name);
e) Title page should include contact information in the lower left corner, (name, mailing address, phone number, email address, genre and word count);
f) It is my personal preference to have widows & orphans turned OFF, but probably most people accept either format. I think it looks less 'neat' with it turned on, though be careful about them. Google or go to 'help' in your software and learn what Widows & Orphans are -- especially if you are going to self publish and have to do the formatting. They really make a book look self-published (in a bad way);
g) Use a sensible font and pt size. Agents read such a large part of their day, make it easy on their eyes. Don't get cute with fonts. Besides, if it is online rather than in print, your font might not be supported by their software. Someone once used a font I didn't have (hard to imagine, I have tons of them) and it was $29+ to purchase it -- I passed.
These things have to be done manually:
a) One space (only) between sentences.
b) Insert page breaks at the end of a chapter so the new chapter begins at the top of a new page. Do not hit the 'enter' key repeatedly to do this, you have to use the page break function or you are totally screwed when you edit or do rewrites.
c) Center Chapter heading, use the center function, do not tab over and guess at the center. A computer might seem like a modern typewriter, but it behaves differently if you don't use the computer functions.
d) Use the tab rather than the space bar to begin a new paragraph.
e) Technically the first sentence of a Chapter is not indented. I ignore this because I begin my books (always) with a line of dialogue.
I'm sure I've forgotten a thing or two. I do these things automatically because I have done them for years. Sitting here looking out the window at the snow it is a bit harder to think of them for a list. Review their website, many agents and publishers list specific guidelines for submissions. These serve two functions, they want things that way and they want to see if you can follow instructions.
This stuff is for fiction mss, not for non-fiction...though a memoir is not fiction, it is done in a novel or fiction format.
Additions to this info or questions about it are welcome in the comment section. We're all in this together. Like Nick said yesterday, don't obsess - but do remember you are applying for a job as a novelist against tons of other applicants. Look sharp. Write well.
These things can be set up to happen automatically:
a) 1" margins all around. Top, Bottom, and both sides;
b) Double space lines;
c) Number pages, either top right or bottom right - you wouldn't believe the number of people who don't number the pages;
d) Header on every page, the order varies, but the header should contain the working title and the author's name (or at least last name);
e) Title page should include contact information in the lower left corner, (name, mailing address, phone number, email address, genre and word count);
f) It is my personal preference to have widows & orphans turned OFF, but probably most people accept either format. I think it looks less 'neat' with it turned on, though be careful about them. Google or go to 'help' in your software and learn what Widows & Orphans are -- especially if you are going to self publish and have to do the formatting. They really make a book look self-published (in a bad way);
g) Use a sensible font and pt size. Agents read such a large part of their day, make it easy on their eyes. Don't get cute with fonts. Besides, if it is online rather than in print, your font might not be supported by their software. Someone once used a font I didn't have (hard to imagine, I have tons of them) and it was $29+ to purchase it -- I passed.
These things have to be done manually:
a) One space (only) between sentences.
b) Insert page breaks at the end of a chapter so the new chapter begins at the top of a new page. Do not hit the 'enter' key repeatedly to do this, you have to use the page break function or you are totally screwed when you edit or do rewrites.
c) Center Chapter heading, use the center function, do not tab over and guess at the center. A computer might seem like a modern typewriter, but it behaves differently if you don't use the computer functions.
d) Use the tab rather than the space bar to begin a new paragraph.
e) Technically the first sentence of a Chapter is not indented. I ignore this because I begin my books (always) with a line of dialogue.
I'm sure I've forgotten a thing or two. I do these things automatically because I have done them for years. Sitting here looking out the window at the snow it is a bit harder to think of them for a list. Review their website, many agents and publishers list specific guidelines for submissions. These serve two functions, they want things that way and they want to see if you can follow instructions.
This stuff is for fiction mss, not for non-fiction...though a memoir is not fiction, it is done in a novel or fiction format.
Additions to this info or questions about it are welcome in the comment section. We're all in this together. Like Nick said yesterday, don't obsess - but do remember you are applying for a job as a novelist against tons of other applicants. Look sharp. Write well.
Labels:
Fiction writing,
Manuscript prep
Wednesday, October 28, 2009
More on Manuscrips (mss)
The question continues on the 'single' or "double" quote marks for dialogue in UK mss. I asked UK writing guru, Nick Daws, his opinion since he is my "go-to guy" and head moderator of MyWritingCircle.com writer's forum.
Nick said:
Both single and double quotes are used in Britain. I would say that single quotes are still more common, but double are widely used as well. Of course, quite a lot of books we get here are by US authors originally. I guess their UK publishers don't think it's worth bothering to change all the quotes from double to single!
In the end, a lot of it probably comes down to house style. An independent UK publishing house I've had some dealings with, Tindal Street Press, uses single quotes in all of its books. Large, multi-national publishers often use double, though. I suppose it's more convenient for them to apply one style in all the countries they operate in.
I followed up with asking what he would do if he was submitting an ms to a UK literary agent and here is his answer:
Personally, with a UK publisher, I would use single quote marks unless there was good reason for using double. But really, I don't think it's that important, as long as you're consistent.
So there you have it.
I've thought more about formatting mss, since I don't want to short sheet the information that I can share.
It is far easier to set up your word processing software in the beginning than to go back and fix everything after the fact. If you are the hands on type of learner, here is an easy tip:
Paste a page of your ms into a new document. Then go through the menus at the top of the page (or ribbons if you are using MS Word 07). Go through each drop down menu item, even if you know what "print" and "save" is. Take your time and when you get the print window, explore each thing that you can click on to customize the features. You don't have to waste a ton of paper, but do look at each item and explore what it does.
Continue methodically working your way though each function until you come to something new. Learn it. If it is a simple task, move on to the next item. It is a waste of time to go through this quickly and not really learn the new functions.
This will take a week or maybe two, but you should know a whole lot more about your software and be able to command the functions you need to produce a professional looking ms after you've mastered your software.
I use WordPerfect and can customize my tool bar. One of the things I did was to change "save" to "save as" so that I would be prompted rather than accidentally overwrite something in haste...or fatigue. Most likely you can do this with MS Word, though I am only aware of the small tool bar at the top left that can be customized. However, you need to learn and master the software you use.
Tomorrow I'll make a more comprehensive list than I mentioned last week.
Meet Nick Daws, professional writer and contributor to the Blog Party: http://www.mywritingblog.com/
Nick said:
Both single and double quotes are used in Britain. I would say that single quotes are still more common, but double are widely used as well. Of course, quite a lot of books we get here are by US authors originally. I guess their UK publishers don't think it's worth bothering to change all the quotes from double to single!
In the end, a lot of it probably comes down to house style. An independent UK publishing house I've had some dealings with, Tindal Street Press, uses single quotes in all of its books. Large, multi-national publishers often use double, though. I suppose it's more convenient for them to apply one style in all the countries they operate in.
I followed up with asking what he would do if he was submitting an ms to a UK literary agent and here is his answer:
Personally, with a UK publisher, I would use single quote marks unless there was good reason for using double. But really, I don't think it's that important, as long as you're consistent.
So there you have it.
I've thought more about formatting mss, since I don't want to short sheet the information that I can share.
It is far easier to set up your word processing software in the beginning than to go back and fix everything after the fact. If you are the hands on type of learner, here is an easy tip:
Paste a page of your ms into a new document. Then go through the menus at the top of the page (or ribbons if you are using MS Word 07). Go through each drop down menu item, even if you know what "print" and "save" is. Take your time and when you get the print window, explore each thing that you can click on to customize the features. You don't have to waste a ton of paper, but do look at each item and explore what it does.
Continue methodically working your way though each function until you come to something new. Learn it. If it is a simple task, move on to the next item. It is a waste of time to go through this quickly and not really learn the new functions.
This will take a week or maybe two, but you should know a whole lot more about your software and be able to command the functions you need to produce a professional looking ms after you've mastered your software.
I use WordPerfect and can customize my tool bar. One of the things I did was to change "save" to "save as" so that I would be prompted rather than accidentally overwrite something in haste...or fatigue. Most likely you can do this with MS Word, though I am only aware of the small tool bar at the top left that can be customized. However, you need to learn and master the software you use.
Tomorrow I'll make a more comprehensive list than I mentioned last week.
Meet Nick Daws, professional writer and contributor to the Blog Party: http://www.mywritingblog.com/
Labels:
Fiction writing,
Manuscript prep
Tuesday, October 27, 2009
The Last Draft
One of the things I wasn't going to do with my blog was write about how to write. For one thing, there is tons of stuff on the internet about writing - not to mention all the books on how to write.
Well, anyway - I've gone and done it, haven't I?
Okay...the next tip is to put away the perfect little ms and research the literary agents or publishers for a list of where it will be submitted. When that gets boring, work on query letters.
Then pull out that ready-to-go ms and read it aloud. Is it really ready to go? Listen to what you are saying. If that ms was written by someone else would it really be finished? Best go through it with an objective eye. You only get one shot to shop that ms to each of your targets. Make it a good one.
Some people say the most common error is shopping an ms before it is ready for a professional to read it. I agree. Put your best foot forward.
Get everything ready, your ms, your query letter, your synopsis, and your list of targets (agents or publishers). Then begin to query.
Well, anyway - I've gone and done it, haven't I?
Okay...the next tip is to put away the perfect little ms and research the literary agents or publishers for a list of where it will be submitted. When that gets boring, work on query letters.
Then pull out that ready-to-go ms and read it aloud. Is it really ready to go? Listen to what you are saying. If that ms was written by someone else would it really be finished? Best go through it with an objective eye. You only get one shot to shop that ms to each of your targets. Make it a good one.
Some people say the most common error is shopping an ms before it is ready for a professional to read it. I agree. Put your best foot forward.
Get everything ready, your ms, your query letter, your synopsis, and your list of targets (agents or publishers). Then begin to query.
Labels:
Manuscript prep
Friday, October 23, 2009
Q & A
There was a question left on the wall of my filedby page which basically said: Do you have any general info/advice that I could start with toward publication?
This is a huge topic, so I'm going with the single most important thing a person can do for their manuscript. Assuming the story is compelling and the basic writing skills have been employed -- this is the 'fix' that can get an ms noticed.
Now that nearly anyone with a computer and a few word processing skills, with discipline, can crank out 80,000 words. The key is to be very completive when you shop your ms to a literary agent or a publisher. You need a killer query letter -- and I'm not the person to ask about writing query letters.
Here are a few basics to clean up the ms to make it look professional. The easiest and rarely found on the Internet or books is that there is only one space between sentences in an ms. Yep. Wild, isn't it? Put two spaces in the search function of your word processing program. In the 'replace' space put in one space. Swap the spaces in the whole ms.
Next, another easy fix, double space the lines. Those are the two big cosmetic items. Their importance is purely a matter of passing through the visual test that the writer has a clue and the ms should make it to the next test -- actually reading it!
The thing to know about these readers is they are pros and they are human beings -- greatly overworked and often brilliant human beings. So give them a killer first line. Open with a memorable line. Delete long (or short) descriptions (bios) of your characters. Don't describe the setting except in terms of the impact or interaction of the setting in relationship to the character. Move the story forward.
Be careful with flashbacks. Start the story at the beginning of that story. Forget backstory. Seriously. Forget backstory. Make your story show what makes your characters 'tick' -- why they do what they do. Backstory is telling and telling in the early pages of your ms will be the kiss of death to getting the whole thing read by that very important person you want to love your story.
So go through the ms word by word, sentence by sentence, from the beginning to end. Do it several times. Read it aloud. If you can corner someone to sit through a full reading with a copy for them and for you, then do it. Bribe them. They will stop you when you read it different from how you wrote it. Look carefully at that part because how you said it, particularly in dialogue sections, is most likely better than how you wrote it.
Clean the ms as best you can following the above instructions. Ask a friend or two to read it and comment honestly. Tell them that 'loving it' doesn't help you. You want them to look for disconnected timelines, out of character behaviors that do not fit with moving the story forward. Was the story satisfying? Ask them to mark places they got bored - those are places to look closely for telling or other bad habits that stop the story. Make the fixes and ask another friend or two to read it for you with similar instructions.
Hire a proof reader to make the basic grammar corrections. A proof reader usually costs less than an editor and if the story is sound, that is all you need done.
Then submit your ms to well researched targets, whether they are lit agents or publishers who don't require an agent. If your ms looks professional (minus the basic amateur mistakes in formatting) and reads well, the story has a shot at doing its job to land a contract to publish.
Questions? I'll try to answer or find someone who can.
My filedby page: http://www.filedby.com/author/nadine_laman/2238025
This is a huge topic, so I'm going with the single most important thing a person can do for their manuscript. Assuming the story is compelling and the basic writing skills have been employed -- this is the 'fix' that can get an ms noticed.
Now that nearly anyone with a computer and a few word processing skills, with discipline, can crank out 80,000 words. The key is to be very completive when you shop your ms to a literary agent or a publisher. You need a killer query letter -- and I'm not the person to ask about writing query letters.
Here are a few basics to clean up the ms to make it look professional. The easiest and rarely found on the Internet or books is that there is only one space between sentences in an ms. Yep. Wild, isn't it? Put two spaces in the search function of your word processing program. In the 'replace' space put in one space. Swap the spaces in the whole ms.
Next, another easy fix, double space the lines. Those are the two big cosmetic items. Their importance is purely a matter of passing through the visual test that the writer has a clue and the ms should make it to the next test -- actually reading it!
The thing to know about these readers is they are pros and they are human beings -- greatly overworked and often brilliant human beings. So give them a killer first line. Open with a memorable line. Delete long (or short) descriptions (bios) of your characters. Don't describe the setting except in terms of the impact or interaction of the setting in relationship to the character. Move the story forward.
Be careful with flashbacks. Start the story at the beginning of that story. Forget backstory. Seriously. Forget backstory. Make your story show what makes your characters 'tick' -- why they do what they do. Backstory is telling and telling in the early pages of your ms will be the kiss of death to getting the whole thing read by that very important person you want to love your story.
So go through the ms word by word, sentence by sentence, from the beginning to end. Do it several times. Read it aloud. If you can corner someone to sit through a full reading with a copy for them and for you, then do it. Bribe them. They will stop you when you read it different from how you wrote it. Look carefully at that part because how you said it, particularly in dialogue sections, is most likely better than how you wrote it.
Clean the ms as best you can following the above instructions. Ask a friend or two to read it and comment honestly. Tell them that 'loving it' doesn't help you. You want them to look for disconnected timelines, out of character behaviors that do not fit with moving the story forward. Was the story satisfying? Ask them to mark places they got bored - those are places to look closely for telling or other bad habits that stop the story. Make the fixes and ask another friend or two to read it for you with similar instructions.
Hire a proof reader to make the basic grammar corrections. A proof reader usually costs less than an editor and if the story is sound, that is all you need done.
Then submit your ms to well researched targets, whether they are lit agents or publishers who don't require an agent. If your ms looks professional (minus the basic amateur mistakes in formatting) and reads well, the story has a shot at doing its job to land a contract to publish.
Questions? I'll try to answer or find someone who can.
My filedby page: http://www.filedby.com/author/nadine_laman/2238025
Labels:
Filedby.com,
Manuscript prep
Subscribe to:
Posts (Atom)

When Paul Fenton stops for breakfast in a small town, he gets more than he bargained for in the process.
When two-hundred-year-old human remains are discovered on one of Neptune's moons, Earth's history falls into question.
Emily's husband persuades her to try thalidomide to ease her symptoms as she is unaware of the devastating effects.
Who is the women's shelter bomber? Melissa Ryan suspects that her husband knows.
Further developments with the Wilder family.
A hidden past shakes the O'Donovan family to its core
A swirl of emotion and choice, set in Cape Town, South Africa
Love is a constant, but it comes at a price.
When the road ahead is unclear, sometimes you have to rely on trust.
The struggle between good and evil is ages old. It gets all the more complicated when the good guys aren't all good and the bad guys have redeeming qualities.
Story of a land mothering two races of people – the light-skinned and the dark-skinned.
A gifted Ukrainian ballerina comes into possession of a mysteriously coded address book.
Six passengers' lives change for better or worse after they arrive in Honiton.
Resilience and love in a harsh and unforgiving age
Kathryn's Beach
High Tide
Storm Surge