As if there isn't plenty to learn about writing, then dread strikes when the thought of editing tramps across the bliss of completing the first draft of 'the manuscript.'
There are several different types of editing, named, of course, closely to their actual function.
This is what usually occurs:
Spell check. Done. Off to the best friend or significant other to show off the manuscript, your pride and joy.
The friend likes it, but...
Finally they hesitantly and apologetically mention there are some errors.
Now the serious self-editing begins. The diligent writer reads through the ms on the monitor. He anguishes over the stupid errors he didn't notice before. Then off to another 'sure to rave' friend.
The best use of the writer's time is to print the ms and read it aloud - red pen in hand.
There are some things harder to catch than peek, peak, pique [homonym] goofs and over used words. Because the writer has intimate knowledge of the story and characters, it is easy to miss odd jumps in time, unneeded secondary characters, assumptions the reader knows things that aren't in the story or overly annoying explanations of things anyone would know, a sloppy misuse of literary devices, and a dozen more things that make the ms destined to forever hit the rejection list of the publisher's slush pile.
The solution is simple. It's not your favorite English teacher from school or your super smart friend who knows nothing about writing. The solution is to hire a content editor.
Finally after all the rewrites, and there will be many of them, comes the time for the line editor or proof reader; the final clean up crew.
After spending untold hours writing the ms, don't skip the final polish before sending it and the query letter on its way into the vast world of publishing.
The harsh reality is, regardless of how awesome the story idea is, if it will take too much time to find that gem and polish it into a marketable commodity, most publishers will pass.
There are thousands of mss shopped for publication a year. Yours needs to be competitively written to get the first three chapters read. No one expects perfection from a manuscript, but it really should look like some effort was put into presenting a worthy product.
I thought this was interesting. "Rewriting work under such circumstances more often than not works out to an editing rate of 2 to 3 pages an hour." It really does go at a snail's pace when I "read" a manuscript for content editing. http://www.teleread.com/epublishing/the-changing-face-of-editing
Enough blog reading, get back to writing the next Great American Novel.